Even the most casual of viewers knows that many TV shows are set in New
York
City. From the gang on "Friends" to the cops and lawyers on "Law &
Order," New
York City is the place a lot of television characters live.
But as the rubble is cleared, one of the many questions waiting for an
answer in the
weeks to come is what are all the New York-based shows going to do? How
will
they deal with the tragedy and its aftermath?
Reality will force the writers and producers of all these fictional shows
to make a
choice - one that many aren't yet willing to address publicily.
One option is to continue with a simulation of a New York City that no
longer
exists. The other is to move into some television version of the new New
York City.
Last week's tragedy seems too big, too powerful, too overwhelming for anyone
-
even TV characters - to escape.
The entertainment industry has taken a few steps in response: Columbia
TriStar
plans to check episodes of two New York-centered syndication franchises
-
"Seinfeld" and "Law & Order" - for any retroactively awkward scenes.
And NBC
is pushing back the season opener of "Third Watch," a show focused on an
NYC
Fire Department rescue squad, to Oct. 8.
Network publicists say many producers and writers haven't had time to think
about
how real-life events may change their fictional worlds. As one NBC publicist
said
last week, "People here are still waiting to hear about missing family
and friends.
How this is going to affect a show is not something anyone is thinking
about right
now."
That's understandable. But ultimately, all of television's New York-based
shows
have the same dilemma to face. If a show does open itself up to the tragedy
and its
aftermath, how does it keep from being overwhelmed? And if a show seals
itself off
from the post-attack world, then it also seals itself off from everything
and
everybody in that world, which is to say us, the audience.
Sitcoms may face the tougher choice; after all, they aren't designed to
absorb and
process real-life tragedy. A few current-event quips is as close as they
get. How
can "Everybody Loves Raymond" or "Just Shoot Me" enter the world into which
they are now going to be broadcast without ceasing to be sitcoms?
Can you imagine "Friends" trying to deal with or reflect life in the aftermath
of the
terrorist attack? On the other hand, can you imagine the subject not coming
up
among a bunch of young adults who hang out in a Manhattan coffee lounge?
A
better title for that show would be "Creeps."
Of all the returning sitcoms, "Spin City" - centered on the daily adventures
of the
lovably goofy mayor of NYC and his colorful staff - faces the toughest
challenge.
To ignore or not to ignore, that is the unanswerable question.
And then there is "Sex and the City," HBO's hit sitcom centered on the
days and
nights of four single women living in Manhattan. It may be the one comedy
equipped
to deal with New York's new reality, given the show's established willingness
to
explore the darker sides of its characters' lives.
The situation is a little different for dramas such as "NYPD Blue" and
the
soon-to-be three "Law & Order" shows. Designed to traffic in gritty
realism, both
franchises have a tradition of mirroring the day's headlines in their plot
lines. But the
terrorists' destruction of the World Trade Center is more than can be contained
in
an episode or two.
Even though the fall season was delayed until next week, the fact is that
premiere
episodes are already in the can.
In TV's immediate future, these shows will be echoes and reflections from
a New
York City no longer there. For a while, at least, New York-based shows
will be -
like the voice-mail messages of passengers calling on cell phones from
those
doomed flights - electronic artifacts of a lost civilization